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There can be issues of ownership, copyright, and a tendency to
give away far too many important pieces of the pie when multiple
parties are involved in the creative process of a project, whether
it’s a concept a producer has conceived, the script, ideas
for a pitch, the music, obtaining the money needed for production
or a development deal.
It’s critical to establish an agreement with the help of
an entertainment lawyer in Lagos (where most of such deals takes
place) before a filmmaker makes promises they can’t fulfill
or finds themselves in a scenario where they and a partner have
committed to an equal share but can’t agree on anything.
It may already be too late when a partner begins to complain
about what’s in it for them. When a producer decides to
cooperate with anybody else on their project, it’s necessary
to get competent legal guidance and consider addressing the
structure of their working relationship.
Projects may be stolen when a creator or producer starts working
with others on their project, shares ideas with their closest
friends, or speaks with others in the entertainment business before
putting their ideas down on paper and having them copyrighted. This
is why having an experienced copyright lawyer in Nigeria is
essential for any production house intending to work on Film or
Television in Nigeria.
It’s also conceivable after a talent agency, network, or
studio has presented a proposal to them after a renowned and
experienced entertainment law firm in Nigeria has reviewed the
whole thing, but it’s unlikely. Thefts of excellent ideas and
concepts are more likely to happen when a creative person
communicates their ideas with someone close to them in the early
phases of developing a concept for a film or television production.
It’s also when a single creative or producer has the greatest
negotiating power with others at the outset of a cooperation. The
director or scriptwriter might expresses an interest in
collaborating with them. They should sign a contract at that
moment, not after the collaborator has brought value to the product
and gained influence over the original author. It’s too late
once a collaborator starts contributing to the creative process.
It’s impossible to be on time once manufacturing begins.
Anyone who works on a project with others has the right to a
portion of the copyrights that are subsequently secured for the
work.
When it comes to copyright and trademark filings, the author of
a work or the producer of a project should submit the task
exclusively to their own entertainment lawyer. When rights are
claimed by others in the creative process or copyright applications
are submitted wrongly, allowing anybody else in the process to file
the copyright for the creator and owner of the project might result
in years of costly litigation.
Copyright assignments must also be used and properly worded to
eliminate loopholes that might lead to lawsuit after a film has
been released. Anyone involved in the creative process should sign
them to verify that the producer is the only proprietor of the
product.
If a screenplay is co-written by two or more authors, or if a
writer co-writes with the producer, an agreement must be created
outlining how the screenplay rights will be shared.
If a movie or TV is Licensing music, you need to understand that
it is a difficult procedure. The cost of licensing music for a film
is determined by the popularity of the songs, as well as where the
music is used in the film, such as during the credits. Where the
music is used in the film, such as during the credits, may make the
music considerably more costly to license. An entertainment lawyer
with knowledge in film music licensing should be hired to
“clear” the music.
Work-for-hire contracts are no longer as straightforward to
design or implement in as many scenarios as they formerly were. A
poorly drafted work-for-hire agreement, or one that does not fit
the facts of the employee’s obligations to be at the
producer’s disposal, can lead to the “work-for-hire
employee” being determined to be an actual employee, for whom
taxes, overtime, and pay for missed lunch and rest breaks should
have been paid. This is another area where an entertainment lawyer
will come in handy.
Contract to be considered for Film and Television
Development
Agreements for the purchase of rights to another’s work,
such as a book option or screenplay option, a life story agreement,
an agreement to hire a writer to write, rewrite, or polish a
script, work-for-hire agreements, collaboration agreements, and
co-production agreements are among the types of agreements that
must be drafted and signed during the development stage of a film
or television series production.
Creating a Business Entity During the Development Stage
Producers should form a business entity for their production
projects to protect themselves from liability. Although a producer
may operate as a sole proprietorship, the single proprietor has no
protection other than the insurance coverage that they may be able
to acquire with all of the policy’s restrictions.
Establishing a production company might be a good idea. Here also
having an experienced lawyer advise and help establish one would
make more sense.
Despite the fact that filmmaking is a collaborative enterprise,
filmmakers should avoid getting into joint ventures or other
agreements that give one partner the power to prevent the other
from making choices and completing the production. Breakups happen
all the time, whether it’s in a marriage or a legal firm.
People die, grow weary of the rat race, go on vacation, sometimes
permanently, or get into difficulty with drugs or alcohol.
The Producer’s Project and Rights are Safeguarded
There are many other legal aspects which a producer has to keep
in mind, for example, in order to utilize child actors in a film, a
filmmaker must first secure parental authorization, then negotiate
actor and director contracts, as well as talent release forms,
materials release forms, location release forms, group releases,
additional releases, and more.
When a producer decides to invest time and money in creating a
work or developing a film or television project, it’s
critical to hire an experienced entertainment law firm as soon as
possible to protect the producer’s rights from the beginning,
all the way through production, distribution, and theatrical
release or broadcast on networks or streaming services.
Each and every deal is crucial. Contracts with sales agents and
distributors, A-list actors, and financiers are just as crucial as
the early agreements a producer forms with collaborators or the
production contracts. Filmmaking is a learning process, but with
the appropriate entertainment lawyer on your side, you can avoid
some of the pitfalls.
Originally published 15 Febuary 2022
The content of this article is intended to provide a general
guide to the subject matter. Specialist advice should be sought
about your specific circumstances.
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